Murakami struggled for recognition in Japan partly through his irreverent criticism of the backward-leaning conservatism of the art establishment there.
Over the last decade - working mostly overseas - his output and fame have grown exponentially, with major installations and events in such august surroundings as the Palais de Versailles, the Rockefeller Center and the Bilbao Guggenheim Museum. His work has expanded beyong painting and screen prints into large-scale sculptures reminiscent of Jeff Koons and into the whole panoply of commercial merchandising.
This spectacular exhibition in the Mori Art Museum on the 53rd floor of the Roppongi Hills Tower in Tokyo is his first in Japan for fourteen years and tellingly chooses a theme inspired by one of Japan`s great recent traumas - the earthquake and tsunami of 3.11.
I do not share the Japanese love of what might be termed `cute-fantasy` and have thus far eschewed the vast majority of Murakami`s work. This show has changed my mind. With examples of his earlier work and informative background on the way in which the 500 Arhats was created it bursts into life with the sheer stonking scale of the thing : at 3 by 100 metres and resplendent in its glossy psychedelic colours (acrylic paint, platinum and gold leaf on top of screen prints on canvas mounted on aluminium frames) it assaults the eyes and demands attention.
This film has more background on the creation http://www.highsnobiety.com/2015/10/01/pharrell-visits-takashi-murakami-studio/
The exhibition has lots of other work including his `Mr Dob` and several pieces in which skulls predominate. Mortality meets Buddhism meets Anime meets Superflat. If you get the chance, visit now while the show is still on. I went on a Tuesday and the place was unexpectedly quiet. Nice!