Caravaggio is famed for his use of chiarascuro and for bringing naturalistic interpretations to religious and mythological subjects in a brilliantly innovative and daring manner.
The London National Gallery`s Supper at Emmaus holds me spellbound every time I visit. The incredible detail in which the food is depicted, the hypnotising way the basket of fruit seems to balance right on the edge of the table, the three dimensionality created by the disciples` hands and elbows seeming at once to come right out of the canvas at us and recede into the background. Christ has no beard and looks like he is modelled on the local blacksmith. Powerful stuff. Caravaggio painted a second Supper at Emmaus a few years afterwards and it is this second version (from Milan`s Brera Museum) that is featured in Tokyo.
The Uffizi Gallery`s Bacchus forms the poster image advertising the exhibition. Here is another of Caravaggio`s sultry, full-lipped young men, staring out at you with a languorous indolence and a face that whilst innocent has just an ironic hint of something more. These are paintings that grab your attention, invite you in and don`t easily let you go. Naturalism but with a dreamlike sense of mystery. Go see them if you can before it closes on June 12th!